Saturday, 19 December 2015

Rob Marshall | Director

Rob Marshall is an American theatre director, film director and choreographer. He is best known for his work on 'Chicago', 'Annie', 'Pirates of the Caribbean' and most recently 'Into the Woods'. He won a Directors Guild of America Award, and an Academy award, a BAFTA and a Golden Globe for Best Director for his work in 'Chicago'.

Chicago
This film is an adaptation of the 1975 Broadway musical with the same name, with the combined genres of musical, comedy and crime. It explores the themes of celebrities, scandal and crime in Chicago during the Jazz period. 

It won a Golden Globe for the Best Motion Picture - Musical or Comedy, and was nominated for a BAFTA Award for Best Film.

Annie
This film is also an adaptation of the 1977 Broadway musical with the same name which was also based on the 1924 'Little Orphan Annie' comic strip by Harold Gray. It is also seen as a remake of the 1982 film of the same name, directed by John Huston.

It won a TV Guide Award for Favourite TV Movie or Miniseries and was nominated for a Primetime Emmy Award for Outstanding Made for Television Movie.

Pirates of the Caribbean: On Stranger Tides
The whole of the 'Pirates of the Caribbean' series are fantasy 'swashbuckler' films. based on the Walt Disney's theme park ride of the same name. 

It was nominated and has won a variety of awards such as Academy Awards, Golden Globe Awards, MTV Movie Awards and Teen Choice Awards.

 
Into the Woods
This film is a musical based on the book by James Lapine. The musical shows the plots of several Brothers Grimm stories such as Little Red Riding Hood, Jack and the Beanstalk, Rapunzel and Cinderella.

It won a Drama Desk Award for Outstanding Musical and it won a Tony Award for Best Revival of a Musical.

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I am particularly interested in Marshall's directing work in 'Annie' and 'Into The Woods' due to the way he has shown the music numbers. 'Into the Woods' has a dark and mysterious ambience throughout the whole film due to the stories being told. This is something I want to use in my work for this unit. 'Pretty Little Liars' is meant to be mysterious so I want to make the lighting quite dark and experiment with similar camera shots that Marshall has used within 'Into the Woods'.

 

Tuesday, 8 December 2015

Pretty Little Liars | Chosen Drama Series

'Pretty Little Liars'


American 7 Season teen drama mystery-thriller TV series from ABC Family, between 2010-present.

A group of four friends battle with an anonymous foe who is threatening to reveal their darkest secret, while figuring out the mystery of the murder of their best friend. The series was developed by I. Marlene King and it is loosely based the book series with the same title written by Sara Shepard.

The most regular director of the series is Norman Buckley who has also directed TV series such as 'Rizoli & Isles', 'The Carrie Diaries', 'Gossip Girl' and many more. Other regular directors are Ron Lagomarsino (directed episodes of 'The Fosters', 'Switched at Birth', etc.) and Chad Lowe (directed episodes of 'Bones', 'Brothers & Sisters', etc.).

Season 3 Trailer


I chose this TV drama because it's a genre that's out of my comfort zone. I don't usually watch or create crime genre films/TV series. Recreating this will be a task for me as it will challenge what I'm used to, and also I will get the chance to experiment with interesting camera angles in order to create mystery and drama.

Red Riding | Prep Project

Crew

Director of Photography:
Julian Court - Nominated for 'British Academy Television Craft Award for Best Photography and Lighting - Fiction'. Has worked on Crime Drama series such as 'Luther', 'Ashes to Ashes' and 'Prime Suspect'.

Production Designer:
Paul Cross - He is well-known for his work on 'MI-5', 'Primeval' and 'Hustle'.

Editor:
Katie Weiland - She is well-known for her editing work on 'Game of Thrones'.

Locations

River Edge - Late Evening/Night.


Police Station.

 
Tone and Style
 
Create an Eery atmosphere through the editing.
"Jobson watches Eddie head through the smoky room packed with beery JOURNOS. TV lights, notebooks, memo recorders." - Taken from the script.
A blue tint with a faded look, similar to Broadchurch.
 
Cast
 
Eddie Dunford (Youthful, ambitious, libidinous. Elongated shirt collar and kipper tie.) - Danny Dyer
 
 
Bill Hadley (Grey beard, grey eyes.) - Roger Allam
 
 
Detective Superintendent Maurice Jobson (Owlish, bespectacled.) - Hugh Grant
 
 
Barry Gannon (Skinny, single, obsessed.) - Tom Hiddleston
 
 
Bill Molloy (Late 50's, a big man, a dangerous man.) - Anthony Hopkins
 
 
Police Woman - Katherine Parkinson
 
 
Mr and Mrs Kemplay - James McAvoy and Carey Mulligan
 
 
Kathryn Tyler - Crystal Yu
 
 
Work by Ellen, Nisserin & Becca

Thursday, 3 December 2015

Directions | New Unit

Following on from our first unit, storytelling, we have started our second unit, directions. In this unit we have been given the task to create two different films.

Film 1:

Director Self Portrait
I have to create a portraiture film of myself. I will have to appear in the video, but I don't have to be in the whole thing. This film should share what I admire, how I see the world and how the world sees me. I need to be the director for this film so I will need to arrange a camera operator, a sound person and any other cast and crew I will need in production. Sound design should play a big part in this film, so there should be no dialogue and no music.

Film 2:

The Drama
I will have to choose a television drama series, select a scene or a few scenes and translate that into a 5-6 page script while also recreating the scenes from my own point of view. There should be both opening and closing credits within this film, and music should be royalty free or from the series itself. hen selecting the scenes I need to choose scenes that have very little dialogue or no dialogue at all. The scenes should enable me to explore interesting locations, production and sound design, and I should be able to challenge myself within this film.

I'm looking forward to experimenting with each film within this unit. For the first film I am looking forward to being creative and thinking outside of the box, and for the second film I am looking forward to putting my own twist on a well-known TV drama series.

Thursday, 26 November 2015

The Meeting | Project Evaluation

The Meeting
 
Within the process of writing my script, I had to find a way in which to write how my characters are receiving information without it being from the word of mouth. So as an alternative I decided that my characters would get text messages and Facebook messages, as these are the most common forms of  communication in the present day. At first, before getting feedback, I had thought that I could just film the messages on a phone and a laptop, but Simon mentioned that it would be quite hard to do that for continuity purposes, but also it might be a bit boring. So after this feedback I decided that I would show the messages through text, which will be added during the editing process, and also I would shorten the messages slightly.
When adding the text in, I found that there wasn't too much of it and also it worked really well. It's clear to see that they are both getting messages from someone and that's what I was hoping for. To make the messages more realistic, I made sure to add a text tone and a Facebook message tone once the messages appear on the screen. This helps add to the realism of the messages, and also it helps tell the beginning of the story.
Also when filming I decided to do a few extra clips of footage, mainly focusing on the audio, to help add to the atmosphere. I made sure to film my actress crying and walking in the leaves so I can add them in when editing and make them louder to emphasise the location and the emotions her character is filming. This helped impact my final video as it made the emotions clear and it helped create the atmosphere of the locations.
 
Within the process of editing my video, I found that the flashbacks were probably the hardest part to perfect. I struggled with finding a clear way of showing the flashbacks and I experimented with quite a few different techniques. First I increased the contrast of the flashback shots, and then I added a black and white filter onto it, with a flash to black transition in between. This didn't work originally, so I had to find another alternative. During the rough cut, Simon mentioned that I should try an echo effect leading into and out of the flashbacks. I tried this as well as adding a cross dissolve transition and liked the way it sounded and I liked the way it flowed well from one clip to another. Simon also mentioned that I should add a drone type sound effect in the background, and once I had added that it made the flashback more effective, and now it looks and feels like a flashback in the past.
I had originally decided to add the titles of the actors in one of the flashback shots and have them 'sat' somewhere in the room, but after feedback I realised that it didn't work too well with having text on the screen from the messages. After this I decided that I would just add them at the beginning after the production title and this worked better and it helped introduce the opening nicely.

During the writing process I learnt that the middle of the story is the hardest part to write effectively. I found it difficult to show and not say throughout the script due to the storyline I had created. However, I think there is a nice amount of action and dialogue in all 10 pages. I also found it quite hard coming to an end and finishing the script, but I think after the feedback from Steve I have ended the script nicely.
During the filming process I learnt that there is a lot of different pointers to think about, like the audio, the white balance and the focus. I enjoyed the filming process, but I did found it quite time consuming and fairly difficult to remember everything I had to change and check before filming all of the shots. I also found that, depending on the weather and the location, filming can either take all day, hours, or just 1 hour. All of my filming took 2-3 hours each day, which gave me some time to check the footage and make sure everything I wanted to film was filmed.
During the editing process I learnt that it's quite hard to get the colours similar in each shot due to the lighting in the original footage, however, the three way corrector helps a lot when making the colours look more natural. I also learnt that sometimes the telling of the story works better without music in the background, and sometimes the ambience in the clips and the locations helps create a better atmosphere for the audience.

In my next project I will make sure I plan my filming with a storyboard, a shot-list and so on because I found them really useful during the filming of this one. I will also think about filming in different locations and I will think of some other plans if the weather is bad or if an actor can't make the filming days. If I were to do my short film differently, I would probably have filmed with the actors actually together and maybe experiment with different filming techniques like panning and tracking. I might also use the clip mic, but since I was only filming the first 2 minutes there wasn't a lot of dialogue anyway. So if any of my next projects have a lot of dialogue, I will use a clip mic to help make the audio more effective and clear.
Overall, I really enjoyed the process of making this short film, and the first two minutes of it. I am very happy with the outcome of the full script, and I am also very happy with the first two minute video.

Saturday, 21 November 2015

Rough Cut | Development

When I showed Simon the first draft of my 2 minute opening scene he said that he liked it, and he said that it tells the story very well. A few things he mentioned were:
  • The Titles
  • The Flashbacks
  • The Audio
The only title I had added before the rough cut was 'The Meeting' which was at the beginning of the 2 minutes and the names of my actors. Simon suggested that I add a company title, for example; A UCA Production. Simon also said that I needed to change the way I introduced the title with the actors name, so I have decided to show them at the beginning after the production title. I kept the font the same and made the actor's names bigger than other text that aren't as important.

The transition I used between the present day and the flashback didn't work as well as I had hoped so I needed to change this. Simon liked the black and white effect on the flashback, but he said I should try adding an echo to the audio before the flashbacks to help transition the new scene. I looked online to find some sound effects of footsteps and some woods ambience to help with the atmosphere of the video, and I decided to use the free SFX website.


I added on echo onto the footsteps before the first flashback and used the door slam noise to transition out of the flashback. Then I used the same transition with the footsteps and added a clock sound effect and transitioned out of the flashback through an echo. I then added a fade transition on the video to add to the flashback and I think it works really well, and you can tell it's a flashback.

I also needed to flip a clip over to help with the 180 degree rule and to make the ending flow better than it did before. I'm really happy with the 2 minute video, and the feedback from Simon was very useful.